Listening to Language, Culture and Artefacts
15-16 December 2016
This third network event will be staged at the London College of Communication, UAL on the 15+16 December 2016. The focus of the meeting is on speech and language, technology, museology and curation.
Organised across these two days will be 3 sessions of debate and discussion triggered by and focussed around 15 minutes presentations by the key and core network membership, who will describe, workshop, present, evidence, illustrate, etc. how they listen, what they hear, and how they deal with sonic material/ information in their work and research, and how they evaluate, use and apply their sonic findings, and how they engage these listening/recording methodologies in teaching, communication or for the consultation with clients, patients, students, industry, etc.
Like the first two network events this meeting too aims to facilitate knowledge sharing and promises to provoke novel interactions, enabling the key and core participants, as well as a participatory audience, not only to break down barriers between disciplines, but also to set the terms for doing so between universities, research, pedagogy, industry and the public. The meeting invites exchange and debate to enable a ‘shared enquiry’ that produces shared and shareable outcomes.
The particular emphasis on Language, Culture and Artefacts produces a cross disciplinary listening with the aim to understand technology, music, museology and curation through a sonic sensibility: augmenting and adding to the visual conventions and interpretations that dominate the field; and to debate data and the sonority of speech and language to explore how new knowledge might be created, applied and communicated through sound.
The roundtable consists of network members, core members, as well as a specially invited participating audience involving international experts, doctoral students, post-doctoral researchers, UAL and SoU staff as well as members of the general public.
The aim is to engage the group in the differing methods, channels, tools, and objectives of listening practices across the differing academic or professional fields, in order to discuss and query processes, technologies, tools, and aims. The presentation and discussions of such a variety of academic, artistic and professional contexts and objectives of listening will provide a platform for comparison, exchange, re-evaluation and inspiration, and initiate a debate on the legitimacy of the heard and the impact of sound studies on cultural production, its evaluation and use as well as its dissemination, producing an aesethetic, literary and cultural knowledge through the sensibility and awareness to sound.
The first two meetings brought a focus on language, and emphasised the need for a shared terminology and discourse, and it foregrounded the question of consensus or ambiguity. In this second meeting we will continue to pursue these questions and persist with the effort of building a glossary of terms and a resource of key texts and materials that might serve this endeavour.
Among the other questions brought forward from the first two events are:
- What sound is to different professions / tasks / disciplines?
- How different disciplines listen / record sound?
- What different professions, academic researchers, etc. hear?
- How the listened to is evaluated, communicated and applied?
- How listening can be taught, shared?
But we imagine many more questions will arise during the network days.
Points of Listening #30: Close Listening → Close Looking? with Irene Noy, Thursday December 15th, 2016
In the evening of the first day there will be a Points of Listening (PoL) event which opens the discussion and demonstrations of the network day to a general public.
Radio Series on Resonance FM
The event was recorded and has been edited together with other material for broadcasts as a monthly series Listening across Disciplines on our network partner station Resonance 104.4 FM - airing every Wednesday afternoon at 3pm, repeated on Mondays at 11am. Listen to past episodes here.
Documentation of the Network Event
The entire network event will be audio recorded and the full documentation will be made available shortly after the events.
Ongoing discussions and additional links are shared in our Listening Across Disciplines Facebook Group.
And on twitter @listenacross
Participants’ Work & Research
This image is a reproduction of an excerpt from Josquin des Prez's 'Cueur langoreulx', printed by Tielman Susato in Antwerp in 1545, overlaid with handprinted acetates. It forms part of James Wilkes's ongoing project to rewrite Josquin's chansons.
This lute was made in about 1630 and shows little sign of alteration, which makes it much prized by musicologists and luthiers. Although its provenance remains unknown, it is more likely to have served as an artist’s prop rather than a professional musician’s instrument after the early 1800s. Image provided by Joanna Norman.
eXperimental electronics is a series of events that take place monthly in London, and occasionally abroad, curated by Laura P. Gracia. In Cafe Oto, 07/09/2016, the audiences could enjoy the work of Pablo Padilla (on the screen), a video created to be listened to. Pablo has specialised in the field of sensory distortion, creating new environments in pre-existing places by disfiguring them. He explores the spatial side of sound, and its interaction with visual and tactile feedback, creating a whole sensual scene.
In October 2016 Ed Baxter directed a performance of Larry Shipping in The Abbey and Saaleaue at Planena by the Resonance Radio Orchestra at Radio Revolten, Halle, Germany. "I had intended to perform myself but language difficulties (working with a German actress, Marie Anne Fliegel) meant it made more sense for me to wave my arms about instead. The direction was simplicity itself: play/don't play, louder/quieter. This meant that I didn't really take part, but at least I got to concentrate and to listen. That proved quite important in retrospect as both the recording and broadcast of the work in question were inadequate - and have since disappeared, falling into the divine cogwheel."
Documentation – Resonance FM series
The Network event, Listening to Language, Culture and Artefacts was recorded and has been edited together with other material for broadcasts as a weekly series Listening across Disciplines on our network partner station Resonance 104.4 FM - airing every Wednesday afternoon at 3pm, repeated on Mondays at 11am.
Episode 16 with Simon King. Broadcast date: 1 Mar 2017
In the sixteenth broadcast of the series Dr. Simon King, Professor of Speech Processing at The University of Edinburgh, where he is director of The Centre for Speech Technology Research, will be talking about different methods of speech synthesis, the sound of natural speech as gold standard, and the status of listening as a development cycle in the production of synthetic speech.
"When you are listening to synthetic speech are you using the brain in the same way as when listening to natural speech?"
Episode 17 with James Wilkes. Broadcast date: 8 Mar 2017
In this seventeenth broadcast we hear from Dr. James Wilkes poet, writer and Senior Researcher in the Department of Geography, University of Durham; Associate Director of Hubbub a collective of researchers and artists exploring rest and its opposites – including noise, work and mindwandering. James works with the textures and rhythms of spoken and heard language and will be talking about imagining into being a distant world by listening to 15th Century Chansons.
Episode 18 with Marcel Cobussen. Broadcast date: 15 Mar 2017
In this eighteenth broadcast we hear from Marcel Cobussen, Professor of Auditory Culture at Leiden University, The Netherlands,and editor of the Journal of Sonic Studies, who will be considering music from its silence and its space and debate the need for dialogue and an ethics of listening.
Episode 19 with Joanna Norman. Broadcast date: 22 Mar 2017
In this nineteenth broadcast in the series we hear from Joanna Norman, Senior Curator at V&A, and Lead Curator for the Scottish Design Galleries at V&A Museum of Design Dundee, who will be talking about listening in the context of the V&A. In particular she will be discussing the museum’s musical instrument collection addressing the paradox of its mute display. Her presentation asks how curators can try to get around the silence of the artefact?
Event 3 Stakeholder:
Bloomsbury Academic has been publishing titles in sound studies for over 10 years, and has distinguished itself as one of the foremost publishers in the area. They are interested in exploring the interdisciplinary nature of the field in its relation to all areas, including sound art, technology, soundscapes, ecology, music, philosophy, and more. From definitive texts such as The Audio Culture Reader, Listening to Noise and Silence, Background Noise, and Noise Music, Bloomsbury continues to publish a range of new material including scholarly monographs, textbooks, and general interest books. Forthcoming on the list is the newly developed Bloomsbury Handbooks in Sound Studies series, as well as the Study of Sound series, which will explore a range individual concepts related to sound. Bloomsbury is pleased to be involved in and to have editorial representation at Listening Across Disciplines.
- Dr. Salomé Voegelin, Reader in Sound Arts, London College of Communication, UAL (Principle Investigator)
- Dr. Anna Barney, Prof. in Biomedical Acoustic Engineering, Southampton University (Co-Investigator)
- Dr. Simon King, Prof. for Speech Synthesis, Linguistics and English Language, Dir. of the Centre for Speech Technology Research, Edinburgh University
- Dr. Cathy Lane, Prof. in Sound Arts, co-director Centre for Creative Research in Sound Arts Practice (CRiSAP) London College of Communication, UAL
- Dr. Angus Carlyle, Prof. in Sound and the Environment, co-director Centre for Creative Research in Sound Arts Practice (CRiSAP) London College of Communication, UAL
- Dr Mark P. Wright, field recordist, artist represented by IMT Gallery, London
- Dr. Michael Bull, Prof. Sound Studies, Sussex University, co-editor Sound Studies Journal
- Daniela Cascella, writer, author en abime, and F.M.R.L.
- Dr. Marcel Cobussen, Prof. in Auditory Culture at Leiden University, NL, editor Journal of Sonic Studies
- Dr. Thomas Gardner, Course Leader, MA Sound Arts, London College of Communication, UAL
- Joanna Norman, Senior Curator, Lead Curator for the Scottish Design Galleries at V&A Museum of Design Dundee
- Dr. Holger Schulze, Prof. of Musicology Copenhagen University, PI Sound Studies Lab, founding member European Sound Studies Association
- Dr. James Wilkes, Poet; Senior Researcher in the Department of Geography, University of Durham; Associate Director of Hubbub
Specially Invited Participants
- Ed Baxter, CEO, Resonance104.4fm (Project Partners)
- Laura P. Gracia, PhD student at CRiSAP, London College of Communication, UAL
- Lisa Hall, Project administrator and sound artist, London
- Dr. Mary Ingraham, Professor of Musicology and Director of folkwaysAlive at the University of Alberta, Canada
- Dr. Aleksander Kolkowski, composer and violinist, composer-in-residence at the British Library Sound Archive
- Louise Marshall, PhD student at CRiSAP, London College of Communication, UAL
- Dr. Rob Mullender, Lecturer on the Live Events and Television BA, and Sound Arts and Design BA courses at London College of Communication, UAL
- Dr Irene Noy, independent curator and writer
- Julian Weaver, Artist, Director of Finetuned Ltd.
- Irene Revell, curator, PhD student at CRiSAP, London College of Communication, UAL