Mark Peter Wright’s research examines the entangled relationship between humans, animals, environments and their associated technologies of capture. His practice troubles the ethico-aesthetic aspects of listening found within Nature documentary tropes and site-specific art legacies. Through a practice of playful-critical hearing his work nests technologies, humans and non-humans in close proximity; bringing to debate issues of subjectivity, preservation and place within sound arts relationship to ecology, and its possible modes of critical representation.