Matt Parker is an audiovisual artist interested in sonospheric investigations that amplify hidden connections between every-day technology and the environment. His recent works The Imitation Archive, The People’s Cloud and White Mountain investigate the sonic footprint of historical and contemporary media infrastructures; from the world’s first programme digital computer to some of the world’s largest “100% sustainable” data centres.

Matt is currently a PhD candidate at London College of Communication within the Creative Research into Sound Art Practice (CRiSAP) centre (AHRC funded). He has a Masters in Music Technology from Birmingham Conservatoire, is the winner of New Art West Midlands 2016, the Deutsche Bank Creative Prize in Music 2014 and was shortlisted for the Aesthetica International Art Prize 2015.